Aerial studies of volcanic ridges and tidal plains, shot from a Cessna 172 over Hokkaidō and reworked for luminance.
A typological sequence of algorithmic grids — each variation seeded from weather data collected in the Azores.
Eight long-exposure plates of dusk across four European coastlines. Printed tones; screen-calibrated.
Ten frames from the Moab basin at first light, June 21 — selected by editor Ines Lévêque for chromatic restraint.
A quiet meditation on Brutalist interiors after hours — low-light plates from Barbican Estate and the Palace of Culture, Warsaw.
Studies from the Namib desert at 4:42 a.m. — commissioned as the permanent summer edition for the collection.
A six-plate short issue from the medina — shot on Provia 100F, scanned at drum resolution, resampled for screen.
A retrospective bundle collecting our first three editions. Remastered for current-generation displays, $24 flat.
For a decade we mistook our screens for windows. They were never windows; they were walls that glowed. FRAME began as a protest against the default wallpaper — the bundled satellite shot, the stock nebula, the gradient of the season. We wanted something considered. Something that treated the desktop the way a good magazine treats its pages.
Each issue is a dossier: a place, a body of work, a photographer or an algorithm, delivered in twelve calibrated files. We publish four times a year, on the solstices and equinoxes, and we ship a companion broadsheet with curator notes to subscribers in print. Read slowly. Look slower.
Every plate is mastered at 8192 × 5120, with downscales hand-tuned for 5K studio displays, MacBook Retina, iPad, and mobile.
Twelve aspect ratios per issue — ultrawide, 16:10, 4:3, square, 9:19.5. One purchase, every screen in the house.
Buy once, own forever. Personal use across unlimited devices — including future ones you haven't bought yet.
Released on the solstices and equinoxes. Back-issues remain available indefinitely; subscribers get new editions automatically.
A printed broadsheet ships with every subscription issue — essays, shot lists, and a letter from the editor. Mailed from Paris.
No watermarks, no branding, no cloud sync. Download, install, close the tab. The work disappears into the background — as wallpaper should.
Four issues, forty-eight plates, one printed broadsheet per season — delivered on the solstices and equinoxes. Cancel anytime. Your back-issues are yours to keep.
On the record.
"The first wallpaper subscription that reads like a magazine — and publishes like one. FRAME has quietly become the most considered release in the category."
— It's Nice That, April 2026
"An exercise in restraint. Each issue feels commissioned rather than curated. Worth the subscription for the curator notes alone."
— The New Yorker, Books & Arts