Northern Void
A single moon, held inside a half-kilometre of darkness. Shot at the winter edge of Lofoten and rendered down to grain. For desks that do not wish to be loud.
A quiet catalogue of high-resolution plates for phone, desktop, and tablet — published sparingly, printed only in pixels, and never shown twice.
Each plate is composed for phone, desktop, and tablet, delivered in lossless formats, and retired from sale at one thousand downloads. We do not restock.
A single moon, held inside a half-kilometre of darkness. Shot at the winter edge of Lofoten and rendered down to grain. For desks that do not wish to be loud.
Vertical ruling of graphite and bone, interrupted by a rising tide of deep red. Named after a doorway the photographer refused to enter.
A frame inside a frame, held against an interior wall at dusk. For those who like a picture that takes most of a minute to resolve.
The corona photographed from a farm road in Nebraska, printed at a size that forgives nothing. A long stare, rather than a wallpaper.
One square metre of unbleached linen, photographed in raking light. The subject is nothing; the subject is weave.
A single horizon line drawn across six miles of fog. Intended as a lock-screen for people who prefer to arrive at their phones slowly.
Six adjacent studies of the same ridge in Hakuba, shot on six consecutive evenings. Comes as a bound PDF lookbook and a rotating desktop set.
A year's worth of geometric interiors — one plate for each lunar month — assembled as a full phone, tablet, and desktop set. The house edition.
MONOLITH began as a private folder — a quiet place where one photographer kept the images she refused to publish anywhere else. They were too slow for a feed, too small for a print, and too particular for a stock library. They sat there for four years.
— The editor, from the foreword to Issue No I
We publish a single plate on the first and third Sunday of each month. Each is offered for the length of one thousand downloads — no more, no less — then it is retired, quietly, into the archive, never to be reissued. We do not run sales. We do not restock. A wallpaper is an object you live with; like any object worth keeping, it deserves to be chosen, not stumbled upon.
Every plate is hand-composed for a handful of aspect ratios — 9:19.5, 3:4, 16:10, 21:9 — and every format is lossless. No watermarks. No upsells. No newsletter you will come to resent.
Restraint, in publishing, is its own form of quality control.
Each plate is photographed, painted, or rendered for this catalogue. We do not license from stock, and we do not reframe other people's work. If we did not make it, we do not publish it.
Every plate retires at one thousand downloads. Packs retire at two hundred. A sold-out plate is never reissued — it returns only to the owners who already hold it.
PNG, HEIC, TIFF, and carefully tuned JPG, delivered at the native resolution of every supported device. No watermarks. No web-compressed consolation files.
Two emails a month, sent on publishing Sundays. One image. One paragraph. No tracking pixels, no promotional chain. If we break this, it ends.
Join the quiet list. One plate, one paragraph, twice a month — held in a plain black envelope, sent on publishing days only. You may leave at any time; most readers do not.
What readers have said, quietly.